The set begins to take shape: my personalised on stage dressing room |
Well, maybe that’s a bit much but we have been working
incredibly hard: the entirety of Friday and half of Saturday was devoted to
movement sequences and dance work (hence the pain); by the end of the week we’d
successfully pieced together the play for a second time and, as of tomorrow, we
will have begun to go through it again in even greater detail. The week ended
on Saturday where, when not dripping in sweat, we were learning all the magic
we will have to perform from our resident magicians: James and Ben. This, of
course, was immense fun and a particular highlight of the week as the magician’s
plethora of physic bending impossibilities reduced the male cast member’s
expressions to those of a 10 year old boys.
Learning magic with James Freedman (2nd from left) |
However, this doesn’t mean that we haven’t been having a
thoroughly good time. Our arrival in Leeds has marked a renewed social vigour
in the cast and, aside from when pesky late night rehearsals got in the way on
Thursday, we’ve been happily taking advantage of the local pub ‘The Wardrobe’
every night of the week. The week’s social antics reached their nadir in the
form of a cast visit to the astoundingly tasty curry restaurant ‘Aagrar’ just
round the corner from the theatre where the food was exquisite and left the
company in merry cheer. Friday was more of a cultured social affair as the company were kindly given complimentary tickets to see Phoenix Dance Company's new dance show which was good, however, for me, it was slightly overshadowed by the fact that I saw this on the wall and realised that we will be following in some very big footsteps:
Christopher Eccleston in 'Hamlet' at the West Yorkshire Playhouse |
However, this week has also been busy off the pitch due to the fact that as opening
night gets closer the business side of things begin to creep in. As actor’s
we are classed as freelance artists which means that we are our own business.
Therefore, along with their agent it is an actor’s responsibility in the run up to a show
to unashamedly promote ourselves via e-mail and post to local casting directors, theatre directors and radio producers our
headshots, C.V’s et al with an invite to the production in the hope of future
employment. This means printing out headshots in an industry standard 10 by 8
format, finessing letters so that they are to the point yet neither
too cold nor too sycophantic and sent with a knowledge that this won’t actually
make any difference whatsoever in a vast majority of cases but hopefully will on the one, and
that is worth all the work. I began by citing the old adage of “no pain, no
gain”; the maxim that most aptly sums up the naive hopefulness of letter
writing? “Shy bairns get nowt”.
‘Dr Faustus’ is on at the West Yorkshire Playhouse, Leeds, from 23 Feb
to16 March, and at the Citizens Theatre, Glasgow, from 5 Apr to 27 Apr. For all
tickets please contact the respective box office or book online at www.wyp.org.uk or www.citz.co.uk.
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